Just looking at the date of the last couple of posts and I realize that I have not been content, yet I have also been very quiet. I'm not sure why I have been quiet, maybe it has been a general feeling of uselessness, or perhaps the need to vent has been largely taken up by Facebook. These Interwebs have a way of sucking me in from one page to another and before I know it my whole night has been wasted. Now the day has too! But I progress... yup that's right, I said the word I wanted!
So since my last post, for anyone who cares or mayhaps didn't know, I have been unemployed, re-employed, and re-unemployed. Now I am collecting some weekly benefits from the state as I get myself together to get me some new edumications. I've long wished to get into building maintenance, and I am going to get my state certification to make me much better hire-able in said field. Why Building maintenance, you may be asking yourself, and it's actually a kinda easy answer. First, I like the fact that it's a multidisciplinary field, I can be a plumber, an electrician, an HVAC tech, a carpenter, a safety tech, a painter, and a landscaper. I can do indoor and outdoor work in the same day. I'm not stuck to a machine and I can walk around. B) While I like being a machine technician, it is often a high stress job because there are constantly people harping on you about getting the machine running so they can meet some deadline or another. And Lastly), it's a job that should afford me some time to pursue my true interest which is Photography.
As for the photography, this spring I went and got my DBA, so I am considered a legit business. The next step of course is to get a tax number and start worrying about actually collecting and paying taxes, but please, baby steps. Besides, I need to be much better at math, and I'm not really. Have been taking pics though, and having a great time doing it. As with any business that depends on other people's input, sometimes waiting for customers to get back to me is the hard part. Elbow joggling and email stalking may become a part of my stock in trade. It's always interesting how people want the initial work ASAP, but then when it comes time to select the final product, they hem and haw forever. Oh well, I guess that's part of dealing with the general public. I need me a business manager, or at least someone who likes doing the business side of things. I'm SO much happier doing the creative part of the process. Practice helps, and the more practice that I get, the more confident I feel setting up shots with clients. I enjoy working with people, and trying to find that little bit of their soul that peeks out from their smiles. Sometimes it's not the easiest thing to do, because people can be really guarded, but when those moments show up, man, it's like magic.
Speaking of magic, I have that obsessive feeling again. There is someone in my life that I want to know better, and it is like pulling teeth to get close enough, or to get some time with her. She is definitely a busy lady, and I understand that, but at the same time if the universe would cooperate just a little bit, it would be nice. I know how my mind works, and maybe I'm seeing something that I want to see as opposed to what is really there, but I sense at least a little interest. While this isn't always in my favor, it is definitely in hers. Have I told you about my curse? Well, here it is, I have this odd thing in my life, where it seems that whenever I find a girl, (lady, woman, you choose!) who is actually interested in me, within a matter of weeks she will meet the guy whom she will end up marrying. To my knowledge only one of those couples is not still together, and I suspect that she wasn't as interested in me as she acted. That being said, I have been a little touchy about pursuing anyone that I am interested in, because it so often ends with me heart broken. Now I have found that one who fits my oh so persnickety tastes, and I just want the chance to try and woo her, and it seems like the roadblocks are starting to pop up left and right. It's funny how I came to be interested in this amazing lady, but at the same time it's truly an organic thing too, so I'm sort of trusting my senses here. Without being to specific since I don't want to embarrass anyone here, (besides myself, and what have I got to lose?) when I first met her I was not much attracted or interested, there were (are) a couple things about her are completely against everything that I believe in in my life. BUT, the funny thing is that as I got to know her through talking to her occasionally and listening to her family talk about her, I realized that she was way more than that first glimpse that I didn't care for, and when I had the chance to talk to her along the way, I found myself unexpectedly drawn to her. Now I would love to really try and win her over, and it seems like it's gonna be a chore. Well, you know what "they" say, if it's worth having, it's worth working for. I'm thinking that she is definitely worth working for. Time will tell. remember when you were a kid and you would do stuff that was gross to impress the opposite sex? Yup, I did it. I am not a huge fan of steamed clams but because she offered, I ate one. Felt like a little kid asked to eat worms, but you know what? For her, it was worth it! Now what? Guess I have to dig out my romance hat and see if it still fits. Been so long I'm not even sure if I remember where I stashed it!
A place where a crabby bastard can spout and shout. If you wanna say something, go for it, you might educate me.
Showing posts with label Photography. Show all posts
Showing posts with label Photography. Show all posts
Wednesday, August 24, 2011
Sunday, April 18, 2010
what life has in store...
we are born, we live, we die. Everyone follows that basic path in life, but some of us fill the middle part with so much stuff, that it seems like they have lived 3 lifetimes. Other people, well, let's just say that they complain more about what they don't do than what they actually do.
Yes, I am one to complain, but I am also one to go and do too, so I fall somewhere in that middle ground. I like to try new things and see new places, and sometimes even meet new people. At the same time, I am limited in what I can accomplish because of financial or time barriers. Usually the time barrier is based on trying to overcome the financial barrier, but still! So that said, I have found that sometimes it is not the things that we go out and seek that bring the most fun, or satisfaction. Occasionally it is the surprises in life that are really the best things.
I have found that when I am open to new experiences, I find them. Whether it is trying new things, learning something new, or simply meeting new people. Everyday that we walk this planet, we have a chance to try something new. It's simply a matter of making s different choice than you have made before. Step outside of your usual rut and find something different. Have you driven by a particular road for years, and always wondered what down it? Take a few extra minutes on your way home some afternoon and see. Maybe you will find a park or a pasture, or someones flower garden that makes your day. Have you always wanted to travel but can't afford it? Maybe take the time to learn the language of someplace that you want to visit. You don't have to become fluent, but open your mind and perhaps find some friends who speak that language and practice. You will find a new way of seeing the world when you can describe it in a new way.
As a photographer, one of the things that we always try to do ( at least good photogs anyways!) is try to see things in a way that is unique and interesting. There are somethings in this world that have been photographed so many times that you may never have a chance to get a unique pic, but if you are looking for it, you just may find it. How many pictures have you ever seen of the Eiffel Tower in the fog? SO if you're ever in Paris and it's a foggy day, Go take that picture, you may just have the coolest picture ever! And all because you were open to something different.
We are on this planet for a relatively short time and while there is much debate about what comes afterward, the one thing that we know for sure, is that most people only remember one life at a time. Since we only get one chance to remember it, we may as well have some fun with it!
Yes, I am one to complain, but I am also one to go and do too, so I fall somewhere in that middle ground. I like to try new things and see new places, and sometimes even meet new people. At the same time, I am limited in what I can accomplish because of financial or time barriers. Usually the time barrier is based on trying to overcome the financial barrier, but still! So that said, I have found that sometimes it is not the things that we go out and seek that bring the most fun, or satisfaction. Occasionally it is the surprises in life that are really the best things.
I have found that when I am open to new experiences, I find them. Whether it is trying new things, learning something new, or simply meeting new people. Everyday that we walk this planet, we have a chance to try something new. It's simply a matter of making s different choice than you have made before. Step outside of your usual rut and find something different. Have you driven by a particular road for years, and always wondered what down it? Take a few extra minutes on your way home some afternoon and see. Maybe you will find a park or a pasture, or someones flower garden that makes your day. Have you always wanted to travel but can't afford it? Maybe take the time to learn the language of someplace that you want to visit. You don't have to become fluent, but open your mind and perhaps find some friends who speak that language and practice. You will find a new way of seeing the world when you can describe it in a new way.
As a photographer, one of the things that we always try to do ( at least good photogs anyways!) is try to see things in a way that is unique and interesting. There are somethings in this world that have been photographed so many times that you may never have a chance to get a unique pic, but if you are looking for it, you just may find it. How many pictures have you ever seen of the Eiffel Tower in the fog? SO if you're ever in Paris and it's a foggy day, Go take that picture, you may just have the coolest picture ever! And all because you were open to something different.
We are on this planet for a relatively short time and while there is much debate about what comes afterward, the one thing that we know for sure, is that most people only remember one life at a time. Since we only get one chance to remember it, we may as well have some fun with it!
Wednesday, March 17, 2010
Lesson in Focal planes
Ok Little brother, and anyone else who happens to read this blog, I am giving lessons today! This lesson is about Depth of focus and the art of photography, If you look at this first picture you will notice that pretty much each stem of the Crocus shoots pictures are in sharp focus. This is what many professional photographers would call "snapshot" it's a pretty picture and the subject is in focus, but to the professional, the pictures is cluttered and has no attention drawing point in it. Go ahead and click on it and see a bigger version of it to study it a little bit.
Now we come to the next picture and you will notice that there seems to be a huge portion of it that it out of focus, and indeed, there is. What has happened is that the depth of focus has been shallowed out to the minimum of the lens set-up. Because it isn't a specifically designed "macro" lens, the minimal depth is about 1.25 inches, rather than millimeters, however it is what I have to work with so it will do. As you look at the picture you will notice that the very front stems are in focus, from the ground to the tips. Both the foreground and the background of the picture are out of focus and the eye is naturally drawn to the sharp field. The Camera has not been moved from the first picture, only the F-stop has been changed thereby narrowing the focal plane. Go ahead and click on it and study the larger version for a minute or two.
Now we come to the 3rd picture and this time the focal plane has been shifted to the center of the group. Again the eye is drawn to the sharply focused stems in the center of the field. Notice that the white stripe in the center of the bent stems is in clear focus, making it very easy to identify these stems and the blades of the Crocus plant. Would you have as quickly noticed that in the first or second picture? Maybe, but probably not, and now there is now doubt what you are looking at, because it was brought to your attention by the selective focus.
Now we come to the last picture where the focal plane has been moved to the back of the group. Does it do anything special to the picture, other than making the front really fuzzy and the tips in the rear sharp? Not really, because there is really nothing in that area to show. So why show you this picture? Because it shows you that you weren't really missing anything from the other two. Generally it is quite expected to soften the areas of macro pictures that don't have any specific details to look at. The goal is to direct the eye of the observer to the interesting parts of the picture and keep them from wasting time on the useless background.
I hope this gives you a better understanding of the uses and desirability of the soft background in photos. I also hope that perhaps you will take notice of it and how it is used in the pictures you see around you day to day. There are many places where it is desirable to have perfect, crisp, clear focus throughout the entire picture, such as landscapes and forensics, but for Portraiture of specific artistic subjects, sharply focused pictures are a detriment.
Now we come to the next picture and you will notice that there seems to be a huge portion of it that it out of focus, and indeed, there is. What has happened is that the depth of focus has been shallowed out to the minimum of the lens set-up. Because it isn't a specifically designed "macro" lens, the minimal depth is about 1.25 inches, rather than millimeters, however it is what I have to work with so it will do. As you look at the picture you will notice that the very front stems are in focus, from the ground to the tips. Both the foreground and the background of the picture are out of focus and the eye is naturally drawn to the sharp field. The Camera has not been moved from the first picture, only the F-stop has been changed thereby narrowing the focal plane. Go ahead and click on it and study the larger version for a minute or two.
Now we come to the 3rd picture and this time the focal plane has been shifted to the center of the group. Again the eye is drawn to the sharply focused stems in the center of the field. Notice that the white stripe in the center of the bent stems is in clear focus, making it very easy to identify these stems and the blades of the Crocus plant. Would you have as quickly noticed that in the first or second picture? Maybe, but probably not, and now there is now doubt what you are looking at, because it was brought to your attention by the selective focus.
Now we come to the last picture where the focal plane has been moved to the back of the group. Does it do anything special to the picture, other than making the front really fuzzy and the tips in the rear sharp? Not really, because there is really nothing in that area to show. So why show you this picture? Because it shows you that you weren't really missing anything from the other two. Generally it is quite expected to soften the areas of macro pictures that don't have any specific details to look at. The goal is to direct the eye of the observer to the interesting parts of the picture and keep them from wasting time on the useless background.
I hope this gives you a better understanding of the uses and desirability of the soft background in photos. I also hope that perhaps you will take notice of it and how it is used in the pictures you see around you day to day. There are many places where it is desirable to have perfect, crisp, clear focus throughout the entire picture, such as landscapes and forensics, but for Portraiture of specific artistic subjects, sharply focused pictures are a detriment.Sunday, January 17, 2010
Discovering my gift..

I don't know if it's true or not, but I have been told that I have a gift for photography. I don't see it so much as a gift, but rather a drive. I constantly feel the need to capture something that I see, in a way that will make it interesting. It doesn't always work, so I go out and see if I can do a better job with it. I don't really know if I will ever be completely satisfied with the results that I get.
I guess you could say that I am driven to do it better each time. Sometimes this means by getting better equipment, and sometimes it just means finding a new way to see it. One of the things that the professionals and the critics say consistently is, "see it differently". and what they mean is that if you can get an image of something in a way that hasn't been done before, then you have something interesting. One of the best examples of this would be the Eiffel Tower. How many different ways have you seen pictures of the Eiffel Tower? Daytime, nighttime, holidays, in the rain, in the sun, at sunrise, at sunset, from the top, from a plane, from a helicopter, from the bottom, in the snow..... and so on and so on. In the 100 or so years that the Eiffel Tower has been in existence, it has been SO photographed that it is nearly impossible to come up with a new way to get it. Reflected in a window? Yep. In the background of a cafe shot? You bet! Try as you may, you will not find a unique way to photograph the Eiffel Tower, however, simply finding a way that YOU like can be all it takes. Do you want to see it backlit with the setting sun? Then this will be your picture, perhaps you get the chance to see it when the clouds are so low that they obscure the top, then you have something that perhaps not many people have done. Truthfully, most unique picture opportunities came along by happenstance rather than good planning. The photojournalists who have managed to get those particularly memorable pictures were not the ones who planned the best, they just happened to be in the right place at the right time with their gear ready to go.
Sure they have a great body of work behind them ( or in many cases still to come), but the truly iconic pictures of the ages are just pure luck. The Execution on the streets of Vietnam, the photographer turned a corner and saw the interrogation happening, he lifted his camera just as the commander pulled his pistol and stuck it to the head of the saboteur. Dumb luck, and he has said so more than once. Sports shots? the guys catching the ball in the end zone, the perfect contact punch from ringside? All Luck. Yes, there is skill and practice in the way the camera was set and loaded and held, but you can have a million technically amazing shots in your files, but it is a fluke of timing to get the "perfect" picture.
I have been entering pictures in various contests this past year, and once I enter I then have to keep looking through the other entrants. Every contest seems to have at least a dozen or so pictures of certain iconic places in the world. If it is a nature, or outdoors geared contest, there is always the pictures of The Grand Canyon, Arches National Park, Yellowstone and Yosemite. I will not argue that these aren't awesome amazing pictures. Technically wonderful shots that show beauty and grandeur. They are also Common. Everyone with a camera gets something similar. I am just as guilty of submitting common shots, but I am trying very hard now to study the previous contests and the winner and to see if I can find something unique to submit. A
common submission is a rainbow, usually from a rainstorm backed by the gunmetal gray storm clouds that spawned it. There is the occasional waterfall rainbow too, but I think I have found an interesting twist on the theme, I took a picture of a waterfall rainbow as it stretched over gorge wall covered in ice and snow. I don't recall seeing this particular style done before. Now I have done it! There are often various pictures of state and national parks, showing the big attractions, the waterfalls, the geysers, and the lakes, the trees or the wildlife, but what about the historic structures inside the park, in a way that they are rarely captured? Stone picnic tables in winter covered in snow and tree shadows. Something that isn't seen as often. It is built on spectacular colors or a once in a lifetime scene, but rather the way that it is, when nobody is around. People don't get to see this image, because they aren't there to see it. The question though is can I make that image compelling?
To show the tables in the snow is not really enough is it? How about a series of tables set in a tableau that makes them appear as steps on a hill? Covered in snow to resemble mushrooms? In the same place they are every day of the year, but surrounded by virgin snow? Does any of this make the image of something as mundane as picnic tables seem compelling? I hope it does, because it is what made it compelling for me!In the end it comes down to who is looking at the picture and how it makes them feel. One day it may move them, and the next they may find it to be pedantic and a waste of time. That is the nature of art, what moves one person is nothing to the next, and yet we all keep trying.
Wednesday, September 16, 2009
odds and ends...
So as you can tell it has been a few weeks since I have done much on this page, and believe me it's not for lack of ideas, but more for a lack of time. I have to sleep, so somethings suffer, and since this place is not something that is actually making me any money, I have to back burner it now and then. A couple of other things have also kept me form being a busy blogger, namely Facebook and my new camera! You can see from the last few posts that I have been a busy little photographer.
I have now had the camera for about 5 weeks and I noticed the frame count today was nearing 3000. Yes, I am a prolific snapper. Not all of my snaps are collectible photos, but each of them teaches me something, and therefore they are valuable. In fact, today I have decided that I wished to try and get a better understanding of exactly how flash compensation worked, and so I sat down in the shade and shot a few geraniums at various settings to see how the various flash settings affected the shots. And I recorded the data for each shot in my little data book so that I may later refer to the data to help me perfect my technique. The truth is that I much prefer to use natural light and the shadows that it casts, just as it casts them, however there are times when I do and will need to understand how to use a flash to eliminate certain harsh shadows or to even the light across a subject. Thus I have to learn how to do it, when the situation is controlled and I can learn without the pressure of the shots "counting". Getting a grip to be sure.
Facebook seems to be slightly addictive, and I am trying to find ways of interacting a little more with people and getting some feedback. There are certain people who constantly give feedback, and I do appreciate it to an extent, but there is a limit to good wishes from people. Sometimes rather than simply telling me how much they like my stuff, I would like it if they told their other friends how much they like it, and get me some more eyes and maybe some eyes looking to buy! I have been putting up various pictures that I have been taking, especially with my new camera, and The hope is that eventually I will be able to start selling prints. I am not looking to get rich, honestly, I would love to be able to make a living at photography, but I know that it is a long way to get to that point. I know that I am not the best business mind, I am much more creative. That said, in order to make a living at photography, I have to figure out what my niche is. Am I a nature photography, or an action shooter? Am I a concert portrait maker, or do I capture the raw emotion of an event? I have been taking pictures at fire scenes, and I have shot some youth sports. I love taking pictures of plants and flowers and trying to capture the peacefulness or grandeur of landscapes. A couple of weeks ago I had the opportunity to take some portrait style pics of my niece for her senior pictures. What did I like best?
Truthfully, I liked doing all of it. I like nothing better than looking at the world and seeing what I want to capture and then the satisfaction of getting some shots that turn out to be exactly what I had in my head when I initially looked at the scene.
I have this dream of doing a book about barns, as any longtime (longtime being since last fall when I started it!) reader of this blog can tell you, I love barns, and especially the old gambrel roofed style barns. Sadly, they are a disappearing structure in the American landscape, and the history that they hold is disappearing with them. How many times have you driven down the road and seen a lone silo standing sentinel over an empty field? You can bet that lying below that silo is the remains of a barn, whether collapsed into the ground or burned in some tragedy or demolition, it is the barn that raised the silo. The lone silo is the orphaned child of the barn. I don't know if I will ever have the drive to actually finish the book, but perhaps someday I will get much closer to getting it done.
I have been taking pictures yes, but I have also been writing about them. In more than one place. I have the pictures on Facebook and each one has a little something with it as an explanation, and in some cases I use the pictures to illustrate some narrative about what they are or why I took them. Recently someone was looking at some of my pics and asked me why I took a particular picture, and my immediate response was to ask, why not? In the age of digital cameras, there is no good reason NOT to take a picture. True that in many cases you only get a snapshot and not what the professionals call a "picture", but what is a picture but a well staged,placed and/or planned snapshot. By definition the BEST pictures of the last 100 years have been lucky snapshots when someone was in the right place at the right time shooting the scene. "The Execution" in Saigon, "Napalm girl", The flag raising at Mt. Suribachi on Iwo Jima. Granted the most famous one is a staged event, but the original was a snapshot. Part of the photographers job is being in the right place at the right time, and knowing where to look when the action is taking place. The guys on the sidelines of the big league games, they have earned a place there, so that they have the chance to get that special shot that becomes iconic for a particular athlete, like the crestfallen look of Scott Norwood after he missed the field-goal that lost the Super Bowl, or the moment of triumph when Lance Armstrong crossed the finish line for his 5th consecutive Tour De France win. The guy who was positioned to capture the flight of Richard Petty along the fence at Daytona when he went airborne. These guys have only one chance to get that particular iconic shot, and if they miss it or screw it up, they will never get the chance again, and we, the public, will never be able to review it and see if it is like we remember. In these days of video, and cellphone cameras, it is likely that someone got the picture, but what would you rather see, a picture that you have to squint at to see the details, or a giant glossy poster of that perfect shot? Yeah, that's why I took that picture, because eventually no one will have to ask why I took it, because they will be able to see in the frame why I took it, whether it's the tears of defeat, the joy of victory, the gossamer wings of a dragonfly skimming across a lily pond, or the spectacular colors of an August sunset. They say that a picture is worth a thousand words, but I truly believe that the story behind the picture is what makes the picture with it.
Pictures are art. Every snapshot, every school picture, every painting, every sand drawing. If it is a graffiti tag spray-painted on a building or the doodling of a child on a notebook, it is art. Art is in the eye of the beholder, it is interpretive and has the distinctive duality of being both valuable and worthless at the same time. Each creation is unique, if for no other reason than it is separate from all others, even the copy has it's own individual flaws that make it unique from all other copies. What we create as artists, ( and we are all artists) we always hope to have accepted by someone. Even if it is a small group that sees the innate value of your work, you always appreciate the acceptance. As an artist I know that my art has value to me, in that it is something that I have put myself into, but I hope that it captures something that gives it value to somebody else as well. When I die and the things that I have made are kept as mementos of my life, then they have a new and greater value, because I will never create or capture another piece with my unique vision. From this standpoint, one can argue that even the electrician who puts the wires in the walls of your house, that you may never see or worry about, is an artist, because his work is unique.
We are all artists, and we all deserve appreciation, it doesn't really matter the medium, or even the message, if we leave behind a piece of ourselves, that is appreciated by someone else, then we have achieved a "masterpiece".
I have now had the camera for about 5 weeks and I noticed the frame count today was nearing 3000. Yes, I am a prolific snapper. Not all of my snaps are collectible photos, but each of them teaches me something, and therefore they are valuable. In fact, today I have decided that I wished to try and get a better understanding of exactly how flash compensation worked, and so I sat down in the shade and shot a few geraniums at various settings to see how the various flash settings affected the shots. And I recorded the data for each shot in my little data book so that I may later refer to the data to help me perfect my technique. The truth is that I much prefer to use natural light and the shadows that it casts, just as it casts them, however there are times when I do and will need to understand how to use a flash to eliminate certain harsh shadows or to even the light across a subject. Thus I have to learn how to do it, when the situation is controlled and I can learn without the pressure of the shots "counting". Getting a grip to be sure.
Facebook seems to be slightly addictive, and I am trying to find ways of interacting a little more with people and getting some feedback. There are certain people who constantly give feedback, and I do appreciate it to an extent, but there is a limit to good wishes from people. Sometimes rather than simply telling me how much they like my stuff, I would like it if they told their other friends how much they like it, and get me some more eyes and maybe some eyes looking to buy! I have been putting up various pictures that I have been taking, especially with my new camera, and The hope is that eventually I will be able to start selling prints. I am not looking to get rich, honestly, I would love to be able to make a living at photography, but I know that it is a long way to get to that point. I know that I am not the best business mind, I am much more creative. That said, in order to make a living at photography, I have to figure out what my niche is. Am I a nature photography, or an action shooter? Am I a concert portrait maker, or do I capture the raw emotion of an event? I have been taking pictures at fire scenes, and I have shot some youth sports. I love taking pictures of plants and flowers and trying to capture the peacefulness or grandeur of landscapes. A couple of weeks ago I had the opportunity to take some portrait style pics of my niece for her senior pictures. What did I like best?
Truthfully, I liked doing all of it. I like nothing better than looking at the world and seeing what I want to capture and then the satisfaction of getting some shots that turn out to be exactly what I had in my head when I initially looked at the scene.
I have this dream of doing a book about barns, as any longtime (longtime being since last fall when I started it!) reader of this blog can tell you, I love barns, and especially the old gambrel roofed style barns. Sadly, they are a disappearing structure in the American landscape, and the history that they hold is disappearing with them. How many times have you driven down the road and seen a lone silo standing sentinel over an empty field? You can bet that lying below that silo is the remains of a barn, whether collapsed into the ground or burned in some tragedy or demolition, it is the barn that raised the silo. The lone silo is the orphaned child of the barn. I don't know if I will ever have the drive to actually finish the book, but perhaps someday I will get much closer to getting it done.
I have been taking pictures yes, but I have also been writing about them. In more than one place. I have the pictures on Facebook and each one has a little something with it as an explanation, and in some cases I use the pictures to illustrate some narrative about what they are or why I took them. Recently someone was looking at some of my pics and asked me why I took a particular picture, and my immediate response was to ask, why not? In the age of digital cameras, there is no good reason NOT to take a picture. True that in many cases you only get a snapshot and not what the professionals call a "picture", but what is a picture but a well staged,placed and/or planned snapshot. By definition the BEST pictures of the last 100 years have been lucky snapshots when someone was in the right place at the right time shooting the scene. "The Execution" in Saigon, "Napalm girl", The flag raising at Mt. Suribachi on Iwo Jima. Granted the most famous one is a staged event, but the original was a snapshot. Part of the photographers job is being in the right place at the right time, and knowing where to look when the action is taking place. The guys on the sidelines of the big league games, they have earned a place there, so that they have the chance to get that special shot that becomes iconic for a particular athlete, like the crestfallen look of Scott Norwood after he missed the field-goal that lost the Super Bowl, or the moment of triumph when Lance Armstrong crossed the finish line for his 5th consecutive Tour De France win. The guy who was positioned to capture the flight of Richard Petty along the fence at Daytona when he went airborne. These guys have only one chance to get that particular iconic shot, and if they miss it or screw it up, they will never get the chance again, and we, the public, will never be able to review it and see if it is like we remember. In these days of video, and cellphone cameras, it is likely that someone got the picture, but what would you rather see, a picture that you have to squint at to see the details, or a giant glossy poster of that perfect shot? Yeah, that's why I took that picture, because eventually no one will have to ask why I took it, because they will be able to see in the frame why I took it, whether it's the tears of defeat, the joy of victory, the gossamer wings of a dragonfly skimming across a lily pond, or the spectacular colors of an August sunset. They say that a picture is worth a thousand words, but I truly believe that the story behind the picture is what makes the picture with it.
Pictures are art. Every snapshot, every school picture, every painting, every sand drawing. If it is a graffiti tag spray-painted on a building or the doodling of a child on a notebook, it is art. Art is in the eye of the beholder, it is interpretive and has the distinctive duality of being both valuable and worthless at the same time. Each creation is unique, if for no other reason than it is separate from all others, even the copy has it's own individual flaws that make it unique from all other copies. What we create as artists, ( and we are all artists) we always hope to have accepted by someone. Even if it is a small group that sees the innate value of your work, you always appreciate the acceptance. As an artist I know that my art has value to me, in that it is something that I have put myself into, but I hope that it captures something that gives it value to somebody else as well. When I die and the things that I have made are kept as mementos of my life, then they have a new and greater value, because I will never create or capture another piece with my unique vision. From this standpoint, one can argue that even the electrician who puts the wires in the walls of your house, that you may never see or worry about, is an artist, because his work is unique.
We are all artists, and we all deserve appreciation, it doesn't really matter the medium, or even the message, if we leave behind a piece of ourselves, that is appreciated by someone else, then we have achieved a "masterpiece".
Wednesday, September 9, 2009
My current favorite pictures
The one thing that I don't want to be is the guy with the shingle in front of his house who gets the call for the school pictures. Senior pictures! I like doing portraits of people that mean something to me, I want to show them to the world the way that I see them., I want to be able to capture that little bit of attitude and recklessness that I see in these people. I can only really do that with people that I know. My niece is one of those people. I will give you, that she is so photogenic that it is nearly impossible to get a bad picture of her, but it is still a skill to do it without being boring about it. Catching her being goofy, without being obvious about it, and keeping her in a playful mood makes it really easy to get great shots of her. So what kind of photographer do I want to be? Well, I guess that I want to be the one that people call after an event and ask me if I was there taking pictures, because they are looking for something different, or better than what they have from everyone else. They will know that I will have the background pictures, the pictures capturing real emotion and real action, not some staged, gimmicky, "aww" shot. Not the treacly kiddie shots that most parents take with their cell phone cameras, but the picture of the guys doing the work, the grimace of pain and strain, the dust and the dirt of the events. The stuff that shows how the work gets done, and why people were there.
Life is about learning, and photography is about capturing, so a photographers life is learning the art of the capture, I guess.
Wednesday, August 19, 2009
Wandering around....
This past weekend, I took my motorcycle for a ride, and I took my new camera with me. I decided that I needed some subjects that I haven't been looking at on a daily basis, and what a better way to find them than to get out and go for a ride! And for a ride I went.On Saturday I headed south, it seemed like a great direction, and the weather was nice and hot, with loads of humidity, and south is into the hills where there is plenty of shade and trees and cool breezes coming out of the deep green forests. So as I was riding I was looking at various things that I thought might make some great pics, but
I wasn't really struck, until I decided that I wanted to get some pictures of the Genesee River. Not just any pictures though, I wanted to show the high water level from all the rain that we have had this year, and the beautiful vistas of the river gorge as it winds along its northbound path above the dam. The Mt. Morris Dam, is a great place to get some awesome pictures, and I was glad to have the equipment to give it a good shot. The day was pretty humid, so you can see the haze in the distance in the pictures. I walked along the hiking paths along the rim and snapped pics from various points along the way. Of all that I took, I think this is my favorite, but If I put more out there you may have a different favorite. I do have more of them posted in my Stone Indian Gallery. I took pictures all along my way that day, mostly in the dam area, but I did stop a few time along the way to take other pictures too. I won't bore you with all of them!
Then on Sunday, Yes indeed, I went riding again on another hot, steamy day. This time, I decided to go north, to the shores of Lake Ontario. I figured there should be a decent breeze, and the temp should be a little bit lower close to the water.
First stop on this trip was Point Breeze, I wanted to get some shots of the boats or the jetskis playing out on the water, but everyone was being responsible and playing nice. Fortunately I did see some interesting things to photograph. Since it was mid afternoon, the charter fishing boats were coming back into the harbor, and they come in from the lake at a pretty good clip. They turn into the channel and drop the throttle to run up the creek and they look a little bit like the S.S Minnow. Well, since it was a nice day, and I was looking to stretch my legs with the camera, I
headed out from there, and wandered on down the road a ways. As I was riding along with my eyes open for possibilities, I spotted this gem. If I had stopped immediately I may have gotten a better picture , but then again maybe not. I figure he was gonna be skittish no matter what I did. How close can you get to a Bald Eagle?After that, I went on for a few more miles and hit Golden Hill State Park. I went to the boat launch first hoping again to find some jetski action to get pics of, but alas, the price of gas, or maybe the fact that I passed about 100 weddings and everyone was invited, there wasn't much in the way of jetskiers on the water. So, I headed over to the Lighthouse at the campground. The lighthouse at 30-mile Point is a great little place to visit, and I think that the next time I go, I will pay the dollar admission and take the tour of the lighthouse too!

After I left the lighthouse I went to visit my sister, and had the chance to get a few of my niece while she was painting her brother's bedroom, and also to get a pic of my nephew who is part ham and part camera-shy goofball. Getting a good pic of him isn't easy, but I managed to do it!
That was three days ago as I write this. Since then I have been playing with my camera in an earnest way, trying to find the sweet spot settings to get the pictures that I want the way that I want them. Some of my favorite subjects to shoot are clouds, and one of the problems I have had in the past is the lack of glass to truly capture the detail of the formations. Sometimes it's not about the detail, but simply showing the size in a setting that it can truly be appreciated. The ones in this picture popped up on Tuesday evening after the hot, sticky day built up enough atmospheric turbulence to build some thunderheads, and I was in a position to capture that view.
Today at lunchtime I noticed that the gladiolas in pop's garden were blooming quite nicely, and they have some great colors. I was messing with some personal settings and I wanted to see how they compared to the factory settings, and to do that I have to take a whole bunch of pictures, and I really liked this one, and figured it would be cool to share.Have a great day!
Wednesday, August 12, 2009
My new toy!

Yes indeed some days you get what you are looking for, and this week I have gotten me a brand new toy, a new camera!! A new camera for me and this is a great big step up from the little point and shoots that I have been using. If you look at this picture you might guess that it takes some pretty nice pics, and you would be quite right! It is a Canon Rebel T1i, 15.1 Megapixel. Since I didn't have a whole lot of money to throw at this, I searched for a while to find the best price I could, and then I saved my pennies for a few months until I could afford the nut it took to make the purchase. I hope that I will be able to sell a few pictures to help me pay for this thing!
I was so tight on the money that I didn't even have the spare to buy the kit with a lens, I had to buy the body only version. Fortunately, and with some planning I happened to buy a camera of the same make that my Father already owns, and he has given me 2 of his old lenses that he no longer uses. ( He spent the money on some high-end lenses, so I can have the hand-me-downs!) One is the original that he got with his own Rebel XSi, an 18-55mm zoom, and the other a 55-250mm zoom. They are both great optics, but they have a drawback that pops wanted to overcome, they didn't have enough apeture to shoot clear indoor, sports, action shots. While I may want to do that occasionally, I am much more about outdoor nature shots. Yes, I do lots of parties and performances, but they are either well lit, or I have no problem lighting them with a flash, so it's plenty cool to use the higher apeture settings for me. Plus I have learned how to incorporate the blurred movement of certain things into my style.
It has been many years since I have had the luxury of a true SLR camera at my utter disposal, and I am feeling my oats with it. I have already taken over 175 pictures and I haven't even had it for 48 hours yet! Of course, they are not all good by any means, but I am improving quickly as I get used to the feel and the features of the camera. I really dig the auto focus, but it takes a little tweaking for a picky pixel hound like me to get it seeing what I want it to see. Fortunately that's one of the big advantages of this particular brand, I can set the focal points where I want them and the camera will heel to my becon call. One of the things that I have missed so much in recent years with the myriad subjects surrounding me, is the ability to get such a great adjustment in the depth of field in my pictures. Since the glass on point and shoot cameras is set up to be pretty much idiot-proof ( nothing ever is, because there are always better idiots waiting in the wings!) it is designed with a very limited depth of field capability, even with an adjustable aperature, it only closes down to f8, and that is still a gaping maw compared to the the f22, 25, 0r 28 that I can get with the SLR glass. Now I can have some fun with depth!
Not only that, but because I enjoy the nature shots so much, sometime it will allow me to get in close and personal with certain skittish critters. Like this little guy! He was hiding in the watergarden and I nearly stepped on him before I realized that he had himself stashed in such a tight spot. But I was able to get a bead on him for a few frames before he decided to dash away. I sure hope he got his dinner first! While I am not a fanatic conservationist or anything like that, there are tons of subjects that I love to get pics of, from the frogs and dragonflies, to the deer and game birds that spend so much time within my visual range. If I am lucky I may be able to get some pictures of some crazy birds this year. Maybe a turkey or a pheasant, and if I'm real lucky maybe I get me a partridge ( pear tree optional!)
So far I am pretty happy with what I can do, and I am looking forward to really pushing the limits of what this camera can accomplish, and as I learn all of it's little quirks and intricacies, I will be able to refine my own style of picture taking. I am not the most creative person in the world, but I do know what I like and what draws my attention. I really want to get back into getting people like I have in the past. I have been compared to paparazzi on more than one occasion, because I manage to get pictures of people and things that people don't even notice. Partly because I so often have a camera that it becomes an expectation and people lose their natural inhibitions to being caught on film, and partly because I have this habit of shooting so much around me that it is inevitable that eventually I get a few good pictures!
I wish I had a real crystal ball to look in and see what it is that I need to do to find that moment when I meet my dream, but since I don't, I will continue to play with the things that draw me in. Oh yeah, one more thing, this particular camera also does video, in FULL HD!! so cool! I have only just tried this feature for a few seconds to make sure that it worked, but as soon as I have my high capacity SD cards, I will give it a try for real! Looking forward to having some fun with that also!
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